Renaissance and Baroque artworks organized by the Columbia Museum of Art, S.C., with support from the Samuel H. Kress Foundation.

"Horse Power" by Cedric Smith explores the all-but-forgotten roles of Black males in the history of American horse culture.

Storytelling, sarcasm, and wit with a distinctly Southern flavor are hallmarks of the work of artist Butch Anthony.

With his camera, Paul Kwilecki captured the essence of work, worship and community in South Georgia.

Educators as Artists IV features artworks by 14 university and college educators.

Atlanta artist, writer, cartoonist and musician Tom Ferguson gifted the Albany Museum of Art more than 250 artworks from his

In the fall of 2020, the walls of the Haley Gallery were transformed into giant murals by four artists.

Midlands is the culmination of a three-year project intersecting art and performance with academic pursuits in law.

The 27th annual Georgia Artists Guild of Albany exhibition.

JUAN LOGAN: creating & collecting presented both works by Logan, and works he has collected.

Brian Willmont investigates beauty with slick and precise directness, creating a hyper-real depiction of patterned decoration.

Viberations explores the influence that St. EOM’s vision has on contemporary artists who have visited Pasaquan.

"Cut & Paste: Works of Paper" celebrates the relationship of art and paper.

"Do Not Hand Me Over to the Impure Whiteness of Noon: A Hemings Elegy" at the AMA was Yanique Norman's

In his long career, Dean Mitchell has become known for his figurative works, landscapes and still lifes.